Clemens von Wedemeyer, 70.001, 2019, video, colour, sound,16:9, 4 single channel interviews, headphones, 16 min (video length). Elodie Seguin, No. 38 A/B/C/D, 2016, polyurethane, ink, wood, plaster, copper wire, dimensions variable. Franz Erhard Walther, Korper davor I, 1985, cotton cloths, wood, 8 parts, 270 x 340 x 35 cm (overall).
Exhibition view, "70.001" at Galerie Jocelyn Wolff 2019
Exhibition View "70.001" at Galerie Jocelyn Wolff, 2019
Guillaume Leblon, Population Sommaire (noire), 2010, ceramic, steel, metal pedestal : 300 x 200 cm, 8 ceramic elements. William Anastasi, Without Title (Rust), 1977, polaroids, 26 x 30 cm, framed 49 x 62 x 3.5 cm. William Anastasi, Without Title (Roof), 1977, polaroids, 26 x 30 cm, framed 49 x 62 x 3.5 cm
Katinka Bock, Horizontal Alphabet, 2014, ceramic, glass, fabric, dimensions variable. Ulrich Polster, Chernivitsi (5.7.2010/18:40h), 2013, video HD, sound, color, 16:9.
Katinka Bock, Horizontal Alphabet, 2014, ceramic, glass, fabric, dimensions variable. Fanz Erhard Walther Trial Sewings / Probenähungen 1983-1992, dyed cotton fabric, 4 elements, dimensions variable, 1/4 coat pieces: 140 x 60 cm approx., 2/4 white: 60 x 36.5 x 10 cm approx., 3/4 purple: 50 x 50 x 10 cm approx., 4/4 blue: 185 x 30 x 10 cm approx. Santiago de Paoli, alone, 2014, oil on felt fabric, 38 x 35 cm.
Guillaume Leblon, Clemens von Wedemeyer, Elodie Seguin, Franz Erhard Walther, Diego Bianchi, Miriam Cahn, Zbyněk Baladrán, William Anastasi, Francisco Tropa, Prinz Gholam, Isa Melsheimer, Frédéric Moser & Philippe Schwinger, Katinka Bock, Ulrich Polster, Santiago de Paoli 70.001
October 20 –
January 4, 2020
Paris - Romainville
Galerie Jocelyn Wolff opened in 2003 with “Occupation” by Clemens von Wedemeyer who was already exploring the dynamics of crowd movement as analysed by Elias Canetti. In 2019, Wedemeyer produces the video installation "70.001" about mass demonstrations with a software for virtual worlds and transfers Canetti into digital space. This work is the focus of the inaugural exhibition of the gallery’s new space in Komunuma in Romainville exploring the dialectical qualities of fragmentary composition a theme that is developed by many of the gallery’s artists